And at least now the characters speak to each other-in that detached, psychology-textbook-meets-FM-2030-essay style-while the camera dives deep into the guts that fascinate us. It embraces traditional dramatic pacing and supplements its perversion with cutting-edge effects.
#JAMES ARTHUR IMPOSSIBLE KARAOKE MOVIE#
Unlike Cronenberg’s early work, this movie has color, diegetic sound and movie stars. Thankfully, it does so with new subtextual success and a far more straightforward and accessible text (despite the full-frontal nudity and graphic autopsies). While Cronenberg’s 2022 do-over on the subject of organic novelty in a collapsing society isn’t a remake by any stretch of the new flesh, it addresses the same pet interests that’ve filled his films since the beginning. New organs are created (and sometimes worshiped) in a broken society now run by fetishists and hurtling towards a dire, damnable biological response.
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The dreamy and experimental Crimes of the Future (1970) sees creative cancers develop in a womanless world ravaged by viruses. Digging into the art world’s juicy guts and suturing it up as a compelling, ambitious sci-fi noir, Crimes of the Future thrills, even if it leaves a few stray narrative implements sewn into its scarred cavities. Sharing a title with Cronenberg’s second film, the latest from the body horror auteur is a return to (de)form after two decades of more dialed-back drama. Stars: Viggo Mortensen, Léa Seydoux, Kristen Stewart, Don McKellar, Scott Speedman Check out the 10 best new movies movies right now: Regardless of how you watch them, they deserve to be watched-from tiny international dramas to blockbuster action films to auteurist awards favorites. Some, thankfully, are cheaply and easily available to check out from your living room couch or your bedroom laptop. Some may have you weighing whether it’s worth it to brave the theater.
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This list is composed of the best new movies, updated every week, regardless of how they’re available.
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Sure, the theatrical experience claims plenty of worthy films, but with on-demand video rental and the overwhelming number of streaming options-two areas where indie and arthouse cinema have been thriving as theaters shove them aside for more and more Marvel movies-alternative viewing methods bear consideration if you’re after a comprehensive list of the best new fare. When searching for the latest and greatest cinematic offerings, the shifting distribution landscape makes one thing abundantly clear: No matter how badly we’d like for the big screen to be the place for the best movies, it’s simply not the case.